Panthéon de la Musique: Maria João Pires | 2024 (oil on canvas 125 x 125 cm)
The Citizens of Calais | 2022 (oil on canvas 150 x 150 cm) check also The Citizens of Calais
Broos (‘Fragile’) | 2022 | 2023 (oil on canvas 125 x 125 cm)
Branding | 2021 (oil on canvas 110 x 100 cm) check also Publicity > Reviews
Le Petit Prince ou l’Apprenti Sorcier | 2021 (oil on canvas 110 x 80 cm) check also Gallery > Limited Editions
Omen | 2020/21 (oil on canvas 100 x 150 cm) check also Publicity > Reviews
Ophelia | 2020 (oil on canvas 74 x 110 cm)
The Abduction of Europe | 2018/19 (oil on canvas 100 x 150 cm)
In My Solitude | 2018 (oil on canvas 110 x 74 cm) check also Publicity > Reviews
The girl with a fake pearl | 2018 (oil on canvas 46,5 x 40 cm)
Pietà della Nostra Terra | 2019 (oil on canvas 125 x 125 cm) check also Gallery > Limited editions
Madonna del Mare Nostrum | Mantel der Liefde | 2017 (oil on canvas 125 x 125 cm) check also Gallery > Limited editions
Work in progress | 2017 (oil on canvas 125 x 125 cm)
‘Madonna del Mare Nostrum’ of ‘Mantel der Liefde’ is gemaakt in opdracht voor de eerste biënnale ‘Kunst in de Heilige Driehoek’ in Oosterhout. Het schilderij is geïnspireerd op de vluchtelingenproblematiek.
(zie Limited Editions)
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‘ Madonna del Mare Nostrum ‘ or ‘ Cloak of Care ‘ was commissioned for the first biennial ‘ Art in the Holy Triangle ‘ in Oosterhout. The painting is inspired by the refugee issue.
(go to Limited Editions)
The Tiding (SOLD)| 2014 (oil on canvas 80 x 60 cm) check also Gallery > Limited editions
Deze pastiches laten Hansa’s grote belangstelling voor textiel in het algemeen en voor glimmende stoffen in het bijzonder zien. Hij heeft zich in zijn zoektocht naar de perfecte stofuitdrukking laten inspireren door Gerard ter Borch. Door deze oude meester te bestuderen groeide het respect van Hansa voor de oude ambachtelijke technieken.
These pastiches show Hansa’s great interest in textiles in general and for shiny fabrics in particular. In his search for the perfect fabric expression Gerard ter Borch inspires Hansa. Studying this old master increased Hansa’s respect for the old craft techniques.
The Tiding II 2014 / 2023 (oil on canvas 80 x 60 cm) check also Gallery > Limited editions
Come Fly With Me | 2015 (oil on canvas 125 x 150 cm)
Between Hope and Despair | 2015 (oil on canvas 125 x 150 cm)
Tulips from Amsterdam | 2023 (oil on canvas 60 x 80 cm)
Don’t throw bouquets at me | 2017 (oil on canvas 60 x 80 cm)
So Sorry | 2014 (oil on canvas 80 x 60 cm) check also Gallery > Limited editions
Good Vibrations | 2016 (oil on canvas 60 x 80 cm)
Summer Breeze | 2018 (oil on canvas 60 x 80 cm) check also Gallery > Limited editions
The Promise You Made | 2014 (oil on canvas 60 x 80 cm)
After The Fall | 2015 (oil on canvas 60 x 80 cm)
These Foolish Things | 2013 (oil on canvas 80 x 60 cm)
“Glanzende stoffen hebben mijn jeugd begeleid. Mijn moeder was kleermaakster van onder andere bruidstoiletten. Vaak moest ik helpen met passen en meten en helaas soms ook met het uithalen van reeds gemaakte delen. Bijpassende garens halen was ook een gebruikelijk corvee. Niet slecht voor je kleurgevoel.”
“Shiny fabrics were part of my youth. My mother was a versatile seamstress of diverse outfits including bridal dresses. Often I had to help with fitting and measuring and unfortunately sometimes with deconstructing finished parts. Picking up matching yarns from the store was a typical chore. Not bad for your colour sense. “
I’m Afraid The Masquerade Is Over (SOLD) | 2013 (oil on paper / waterproof MDF 50x38cm)
One Way Wind | 2013 (oil on canvas 60 x 80 cm)
Lake Louise | 2013, (oil on canvas 60 x 73 cm)
Sylvia (SOLD) | 2016 (oil on canvas 80 x 60 cm)
